John Willsteed Queensland University of Technology Brisbane, QLD, Australia Public Strategies, Real Estate Pressures and Communities’ Tactics: The Spatial Dynamics of Electronic Music ScenesĮlectronic Cities Music, Policies and Space in the 21st CenturyĮdited by Sébastien Darchen Damien Charrieras Įlectronic Cities Music, Policies and Space in the 21st CenturyĮditors Sébastien Darchen University of Queensland St Lucia, QLD, Australiaĭamien Charrieras City University of Hong Kong Kowloon Tong, Hong Kong The Different Forms of Commodification of Electronic Music in the Context of Targeted Urban Policies The Multiplicity of Public/Cultural Policies Affecting Directly or Indirectly EDMCs Stakeholders in the Informal Development of Electronic Music Scenes Policies and the Governance of Electronic Music Scenes The Mutations of the Listening Experience of Electronic Music in Public and Private SpacesĬross-pollination Between Electronic Music Scenes/Genres and Other Music Scenes/Genres in the City Governance of the Electronic Music Scene in (Semi)public Spaces The Progressive Development of Electronic Music in Iran The City and the Ever-Changing Cultural Policies of the State Ground-up Governance, Entrepreneurship, and Communityġ6: Tehran, Iran: ‘Experimental’ Electronic Scene (2000–2020) The Policy Gap: Building, Noise and Copyright in Ghana The Electronic Scene: Hiplife and Hip-Hop to Afrobeats Spaces for EDMC: Oil Club as a Case Studyġ5: Embodied Listening: Grassroots Governance in Electronic Dance Music Venues in Accra (Ghana)Īccra: A Historic Centre of Political and Cultural Afrocentrism The Rise of the Rave and Club Culture on the East Coastġ3: Cluj-Napoca, Romania: Electronic Dance Music and Local Policy (2015–2020)ġ4: On the Fence: Electronic Dance Music Cultures in Hong Kong and ShenzhenĪn Overview of the Contemporary Electronic Scenes in Hong KongĮDMC in Hong Kong: XXX Gallery as a Case Study The Electronic Scene: Historical and Spatial Perspectiveġ1: Helsinki, Finland: Liberalisation, Shifting Night Clusters and Gentrification (2010–2020)ġ2: “You’re Not the Boss of Me!”: The Relationship Between EDM and DIY in AustraliaĪ Brief History of Electronic Music in Australia The ‘Arbutus Records Scene’ and the ‘Mile End’ Electronic Musicįunding and ‘Scene Governance’: Two Distinct ApproachesĨ: Compression Aesthetics: Transducing Segregation in the Los Angeles Beat Sceneĩ: Electronic Łódź, Poland: From Freedom Parade to Managed Entertainmentġ0: Budapest, Hungary: Techno Scene (1988–2018) MUTEK and Montreal as a ‘Digital Culture City’ Public Policy and Nightlife: Recent Progress in LondonĦ: Overlooking the Scene: Electronic Music and Toronto’s Music City Project (1999–2019)ħ: Arbutus Records and MUTEK: Two Models of Experimental Electronic Music Promotion in Montreal The London Acid Techno Scene: The Sound of the Underground The Electronic Dance Music Revolution in London The Electronic Scene: Historical PerspectiveĤ: Berlin and Manchester Compared: An Interview with Mark Reederĥ: London’s Underground Acid Techno Scene: Resistance and Resilience in the Global City (1993–2020) The City: Contribution to Electronic Music Part III: Emerging Electronic Music Scenesģ: Resisting that Fascist Groove Thang: Sheffield as the Epicentre for Electronic Music (1973–2020) Part II: Established Electronic Music Scenes Part I: Historical Electronic Music Scenes Subgenres, Production Technologies, Commodification, Public Policiesĭefining Policies and the Governance of Electronic Music Scenes 1: Introduction: Electronic Music, Policies and Space in the Contemporary Cityĭefining Electronic Dance Music in the Urban ContextĮlectronic Dance Music (EDM) and Electronic Dance Music Culture (EDMC)
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